{"id":15,"date":"2012-09-05T21:07:50","date_gmt":"2012-09-05T21:07:50","guid":{"rendered":"https:\/\/brucecoughran.com\/?page_id=15"},"modified":"2020-07-15T11:56:45","modified_gmt":"2020-07-15T03:56:45","slug":"resume","status":"publish","type":"page","link":"https:\/\/brucecoughran.com\/?page_id=15","title":{"rendered":"Directing Resume"},"content":{"rendered":"

<\/p>\n

Bruce Coughran<\/strong><\/h1>\n

Director<\/strong><\/h2>\n

SDC<\/strong><\/p>\n

brucecoughran@gmail.com\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0www.brucecoughran.com\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 310-430-9744<\/strong><\/p>\n

Current Position:\u00a0 Artistic Director, Indra\u2019s Net Theater, Berkeley, CA (2012-present)<\/strong><\/p>\n

Duties include Artistic planning, fundraising, grant-writing, strategic planning, budgeting, board development and leadership, external liaisons, house management, etc.<\/p>\n

\u00a0<\/strong>Directing Experience<\/strong><\/p>\n

\u00a0<\/strong>Theater(full productions):<\/strong><\/p>\n

Copenhagen (2018)**+++++<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Michael Frayn\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Indra’s Net Theater, Berkeley<\/p>\n

a Time for Hawking*++++<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bruce Coughran\u00a0 \u00a0 \u00a0 \u00a0Indra’s Net Theater, Berkeley<\/p>\n

Partition<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ira Hauptman\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Indra’s Net Theater, Berkeley<\/p>\n

Darwin in Malibu<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Crispin Whittell\u00a0 \u00a0 \u00a0 \u00a0Indra’s Net Theater, Berkeley<\/p>\n

What Do Women Want?*<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Vicki Siegel\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Actors Ensemble of Berkeley<\/p>\n

The Secret of Life*+++ \u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Bruce Coughran\u00a0 \u00a0 \u00a0 \u00a0 Indra\u2019s Net Theater, Berkeley<\/p>\n

Delicate Particle Logic*++\u00a0 <\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Jennifer Blackmer\u00a0 \u00a0 Indra\u2019s Net Theater, Berkeley<\/p>\n

QED+\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Peter Parnell\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Indra\u2019s Net Theater, Berkeley<\/p>\n

Copenhagen\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>Michael Frayn\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Indra\u2019s Net Theater, Berkeley<\/p>\n

Life of Galileo\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>Bertolt Brecht\u00a0 \u00a0 \u00a0Masquers Playhouse, Pt.Richmond,CA<\/p>\n

A Hot Day in Ephesus*<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Vicki Siegel\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Actors Ensemble of Berkeley<\/p>\n

Hickory<\/em> Miles<\/em> *\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Paul Heller\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Novato Theatre Company<\/p>\n

Carwash<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Lou Phillips\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Novato Theatre Company<\/p>\n

Antigone<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Jean Anouilh\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Actor\u2019s Ensemble of Berkeley<\/p>\n

Bad Connections??<\/em> *\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Michael Levesque\u00a0 \u00a0 \u00a0 \u00a0 West Valley Theater, Saratoga,CA<\/p>\n

Spittin\u2019 Image <\/em>\u00a0(two-act version)\u00a0 \u00a0Stephen Metcalfe\u00a0 \u00a0 \u00a0 \u00a0 Bitter Truth Playhouse, LA<\/p>\n

Lunchtime\u00a0 <\/em>(workshop)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Leonard Melfi\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Playhouse West, LA<\/p>\n

Lynette has Beautiful Skin<\/em>(2-act ver)Jane Anderson\u00a0 \u00a0 \u00a0 \u00a0 \u00a0San Diego Actors Festival<\/p>\n

Theater(staged readings-selected list):<\/strong><\/p>\n

Copenhagen\u00a0\u00a0\u00a0\u00a0 (exerpt)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>M. Frayn\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Eugene O\u2019Neill Festival, Danville<\/p>\n

Lungs\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>D. Macmillian\u00a0 \u00a0 \u00a0 \u00a0 Z Space, <\/em>Z Below, San Francisco<\/p>\n

In the Matter of J. Robert Oppenheimer <\/em>H. Kipphardt\u00a0 \u00a0Indra\u2019s Net Theater, Berkeley<\/p>\n

The Secret of Life\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>B. Coughran\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Indra\u2019s Net Theater, Berkeley<\/p>\n

The Daughters of Urth*\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>L. Addison\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Craneway\/Nexxus Center, Richmond<\/p>\n

Copenhagen\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>M. Frayn\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Actors Ensemble of Berkeley, Berkeley<\/p>\n

The Way of the World<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Congreve\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Subterranean Shakespeare, Berkeley<\/p>\n

The Winter\u2019s Tale<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Shakespeare\u00a0 \u00a0Rossmoor Shakespeare Society<\/p>\n

Falstaff and Hal*<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0B. Coughran\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Subterranean Shakespeare, Berkeley<\/p>\n

Sea<\/em> of Tranquility<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 H. Korder\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Actor\u2019s Ensemble of Berkeley<\/p>\n

Midsummer Night\u2019s Dream<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Shakespeare\u00a0 \u00a0Subterranean Shakespeare, Berkeley<\/p>\n

Measure for Measure<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 W. Shakespeare\u00a0 \u00a0Subterranean Shakespeare, Berkeley<\/p>\n

Midsummer Night\u2019s Dream<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Shakespeare\u00a0 \u00a0Rosmoor Shakespeare Society<\/p>\n

Zombie Wedding*\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>R.C. Staub\/D. Sturman \u00a0 Exit Theater, SF<\/p>\n

Henry IV part 1<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 W. Shakespeare\u00a0 \u00a0 Berkeley City College, Berkeley<\/p>\n

Dr. Faustus\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0C. Marlowe\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Subterranean Shakespeare, Berkeley<\/p>\n

The Winter\u2019s Tale<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 W. Shakespeare\u00a0 \u00a0Subterranean Shakespeare, Berkeley<\/p>\n

Much Ado About Nothing<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 W. Shakespeare\u00a0 Subterranean Shakespeare, Berkeley<\/p>\n

Midsummer Night\u2019s Dream<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Shakespeare\u00a0 Berkeley City College, Berkeley<\/p>\n

Measure for Measure<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Shakespeare\u00a0 Subterranean Shakespeare, Berkeley<\/p>\n

Henry IV part 1<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0W. Shakespeare\u00a0 \u00a0Subterranean Shakespeare, Berkeley<\/p>\n

Denouement*<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Jack Raymond\u00a0 \u00a0 \u00a0 First Stage LA, Hollywood<\/p>\n

* World Premiere<\/p>\n

**US Premiere<\/p>\n

+ TBA Award Nominee \u2013 Best Actor in a Leading Role in a Drama<\/p>\n

++ TBA Award Nominee\u00a0 in 5 categories including Best Direction of a Play, and Outstanding World Premiere Play<\/p>\n

+++BATCC Award Nominee in 4 categories including Best Overall Production in the Bay Area, and Best World Premiere\u00a0Play<\/p>\n

++++BATCC Award: Best Overall Production<\/strong> in the East Bay (under 100 seats); 3 other nominations<\/p>\n

+++++BATCC Awards: Best Overall Production in the Entire Bay Area (under 100 seats), Best Overall Production in the East Bay (under 100 seats), Best Principle Actress in a Play (Nancy Carlin); 1 other nomination<\/strong><\/p>\n

Assistant Directing Experience (Theater): <\/strong><\/p>\n

Most Wanted*<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Michael Greif, dir)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 La Jolla Playhouse, La Jolla<\/p>\n

Brainpeople*<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Chay Yew, dir.)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ACT, San Francisco<\/p>\n

This Beautiful City<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(Steve Cosson, dir)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Kirk Douglas Theatre, LA<\/p>\n

Measure for Measure\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em>(Paul Mullins, dir)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Old Globe, San Diego<\/p>\n

L\u2019Elisir D\u2019Amore<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Bobby Weinapple, dir)\u00a0 \u00a0 \u00a0Berkeley Opera, Berkeley<\/p>\n

\u00a0<\/strong><\/p>\n

Film (Directing):<\/strong><\/p>\n

\u2018Undone<\/em>\u2019 (7 min, HD, Color) 2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>PlayGround FF<\/p>\n

\u2018Passing Through\u2019<\/em> (30 min, DV, Color) 2003\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Platinum Award, Houston FF<\/p>\n

\u2018Love for Love\u2019<\/em> (5 min, 35mm, Color) 2001\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 dist. Halcyon\/Big Film Shorts<\/p>\n

\u2018<\/em><\/strong>My Friend\u2019s Love Affair\u2019<\/em> (25 min.,16mm, Color)\u00a0 2000\u00a0 \u00a0 \u00a0 \u00a0 Bronze Award, Houston FF<\/p>\n

\u00a0<\/strong><\/p>\n

Film (Producing):<\/strong><\/p>\n

\u2018Undone<\/em>\u2019 (7 min, HD, Color) 2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>PlayGround FF<\/p>\n

\u2018East of Sunset<\/em>\u2019 (89 min, DV, Color) 2005 *\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>dist. Westlake Ent.<\/p>\n

*Multiple award winner including: Best Actress (MethodFest 2005), Maverick Award for Production Quality in a Low Budget Film (2005)<\/p>\n

Other Representative Experience:<\/p>\n

    \n
  • Seminar\/Panel Manger, Palm Springs Intl Film Festival<\/li>\n
  • Programming Film Administrator, Palm Springs Intl Film Festival<\/li>\n
  • Panel Coordinator, American Film Market<\/li>\n
  • New Play reader \u2013 Edgemar Center for the Arts, Santa Monica, CA<\/li>\n<\/ul>\n

    Training:<\/strong><\/p>\n

      \n
    • Playhouse West (Bob Carnegie, Mark Pellegrino, Jeff Goldblum) (4 years)<\/li>\n
    • Larry Moss Studio (Michele Danner) (1 year)<\/li>\n
    • UCLA Short Fiction Film Program (Director\u2019s track)<\/li>\n
    • AFI Conservatory (LA); UCLA Extension (short courses)<\/li>\n
    • Private Study (Directing): Danny Simon, Ted Post, Sydney Pollack<\/li>\n
    • TV Observations: CSI (Danny Cannon), Monk (Randy Zisk), King of Queens<\/li>\n<\/ul>\n

      Fellowships\/Awards:<\/strong><\/p>\n

        \n
      • Directors Lab West (2008)<\/li>\n
      • Directors Lab Chicago (2006\/2013)<\/li>\n
      • SDCF Observership (Chay Yew)<\/li>\n
      • TBA ATLAS Directing Fellow 2012 (SF)<\/li>\n
      • TBA Titan Award finalist 2012<\/li>\n
      • TBA Award finalist \u2013 Best Direction of a Play 2015<\/li>\n<\/ul>\n

        Professional Affiliations:<\/strong><\/p>\n

          \n
        • Member of Society of Stage Directors and Choreographers (full member)<\/li>\n
        • Member \u2013 Theatre Bay Area (TBA Adjudicator)<\/li>\n<\/ul>\n

          \u00a0<\/strong><\/p>\n

          General Education:\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

            \n
          • M.A. California State University, Dominguez Hills (History)<\/li>\n
          • B.A. UCSD (Biology)<\/li>\n
          • Dipl. Grove School of Music (Arranging and Composition)<\/li>\n<\/ul>\n

            Professional References:<\/p>\n

            Available on Request<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":9,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/brucecoughran.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=15"}],"version-history":[{"count":10,"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":276,"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/pages\/15\/revisions\/276"}],"up":[{"embeddable":true,"href":"https:\/\/brucecoughran.com\/index.php?rest_route=\/wp\/v2\/pages\/9"}],"wp:attachment":[{"href":"https:\/\/brucecoughran.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}